Arts Research

October 15, 2015 by admin

The mission of the James F. and Marion L. Miller Foundation, established in 2002, is to enhance the quality of life of Oregonians through support of the arts and education. In the midst of the 2009 recession, the foundation began a six-year grantmaking initiative that provided general operating support to Portland’s five large arts organizations. The foundation made important shifts in its grantmaking strategy to help shore up the financial strength and stability of the Portland Opera, Oregon Ballet Theatre, Portland Center Stage, Portland Art Museum, and the Oregon Symphony.

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July 8, 2015 by admin

As part of an upcoming Thought Leader Forum titled Every School, Every Child, I was asked by Janet Brown, CEO of Grantmakers in the Arts, to spend some time with their newly released report Foundation Funding for Arts Education: An Update on Foundation Trends by Steven Lawrence, director of research, and Reina Mukai, research manager, both from the Foundation Center.

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April 14, 2015 by admin

President’s Committee on the Arts and the Humanities, 400 7th St, SW, Washington, DC 20506. (202) 682-5409, pcah.gov.

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March 27, 2015 by admin

BFAMFAPhD. 2014, 15 pages, BFAMFAPhD. http://bfamfaphd.com/#artists-report-back

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March 21, 2015 by admin

The opportunities to connect communities through culture and to use that cultural engagement to educate one another are simultaneously compelling and challenging to cultural foundations and philanthropists. Recent reports and research provide strong arguments and preliminary insights into ways that culture can advance engagement across boundaries, both geographic and societal. But the most challenging efforts may be those intended to connect the United States to Muslim populations abroad.

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February 19, 2015 by admin

February 2015, 32 pages. Minnesota Citizens for the Arts, 2233 University Avenue W. #355, St Paul, Minnesota, 55114, (651) 251-0868. creativemn.org.

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September 23, 2014 by admin

For several years, Grantmakers in the Arts (GIA) members have noted the lack of sector-wide information about support for individual artists. Many funders feel that direct support for artists is a crucial part of the arts funding ecology and one that is underresourced. In the past, however, it has been difficult to assess the extent to which artists are being supported by institutional funders — in fact, it has even been difficult to have a field-wide conversation about the different ways in which artists receive support.

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