Philanthropic practice

2007, 15 pages. Americans for the Arts, 1000 Vermont Ave. NW, 6th Floor, Washington, DC 20005, 202-371-2830, www.americansforthearts.org

Center for Social Innovation, Stanford Graduate School of Business, Stanford University, 518 Memorial Way, Stanford, CA 94305

2006, 254 pages. Indiana University Press, 601 North Morton Street, Bloomington, IN 47404, iupress.indiana.edu

2006, 250 pages. Perseus Books Group, 11 Cambridge Center, Cambridge, MA 02142, 617-252-5298, special.markets@perseusbooks.com

When Kathy Freshley (The Meyer Foundation), Marian Godfrey (The Pew Charitable Trusts), and Janet Sarbaugh (Heinz Endowments) planned a roundtable discussion, "General Operating Support: Making It Strategic," for GIA's 2006 annual conference in Boston they imagined that they would greet a small, if passionate, group of familiar GIA members that Wednesday at 8 a.m. Instead, the session turned out to be one of the conference's true dark-horse surprises. Over fifty people showed up!

Re-imagining Orchestras: A forthright report on the mixed results of one foundation's efforts

Stan Hutton

New Year's Day, 1980, found Arlene Goldbard living in Washington, D.C. monitoring and reporting on our nation's de facto cultural policy. The fact that Arlene was doing this says a lot about the leadership role that many of us were counting on the federal government to play in leveling the field so that our many U.S. cultures would have an equal chance to express themselves, to develop, and, inevitably, to cross-pollinate. It was a substantial and beautiful vision then, and remains so today.

Collaborative Circles: A Review

Frances Phillips

Here in Los Angeles, the thought of an "arts funding community" had been something of an oxymoron. Because of corporate policy, political agendas, and familial preferences, arts grantmakers have long worked in isolation from one another. Sure, we like one another, go to the same shows, eat the same special-event salmon, but collaborate and communicate on a regular basis? Well, if only...