GIA Reader, Vol 23, No 3 (Fall 2012) | Grantmakers in the Arts

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GIA Reader, Vol 23, No 3 (Fall 2012)

On the cover:
Fontainebleau Hotel, 4441 Collins Avenue, Miami Beach
Morris Lapidus, 1953/A. Herbert Mathes 1959
Photo: Robin Hill

Articles shown in gray are not yet available online, but are available in the print edition. Contact GIA to order copies of the Reader or submit this form to subscribe.

Contents of GIA Reader, Vol 23, No 3 (Fall 2012)

Special Section

Revisiting Research: New Perspectives on Landmark Reports

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Revisiting Research: Gifts of the Muse: Reframing the Debate about the Benefits of the Arts

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by Response by Cuong Hoang

Revisiting Research: Gifts Keeps on Giving

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Kathleen Cerveny

Revisiting Research: Art and Culture in Communities: Unpacking Participation

by

F. Javier Torres

Revisiting Research: Art and Culture in Communities

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Revisiting Research: Crossover: How Artists Build Careers across Commercial, Nonprofit and Community Work

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Revisiting Research: Artists Crossing Sectors: How Can We Help?

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Frances Phillips

Revisiting Research: Autopsy of an Orchestra: An Analysis of Factors Contributing to the Bankruptcy of the Oakland Symphony Orchestra Association

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Ron Ragin, Patricia A. Mitchell, Melanie Beene, Fenton Johnson

Revisiting Research: Reflections on Autopsy of an Orchestra

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Revisiting Research: Champions of Change: The Impact of the Arts on Learning

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Revisiting Research: What Has Champs Changed?

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Arts Funding Trends

Foundation Grants to Arts and Culture, 2010: A One-year Snapshot

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Steven Lawrence, Reina Mukai

Public Funding for the Arts: 2012 Update

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Readings

Hialeah (poem)

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Celia Lisset Alvarez

Splendor (poem)

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An Introduction to MiMo: Miami Modern Revealed

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Randall Robinson

The Social Nature of Offense and Public Protest over Art and Culture

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Steven J. Tepper

Two Towns (excerpt)

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Zora Neale Hurston

Making the Case for Environmental Sustainability in the Arts

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Bill Moskin, Katie Oman

Cultural Equity Dialogues: Artistic Marginalization

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Book Review

Create Dangerously: The Immigrant Artist at Work

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Irene Borger, Edwidge Danticat

Building Communities, Not Audiences: The Future of the Arts in the United States

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Barry Hessenius, Doug Borwick

Explore Solidarity Economy resources here

Future of the Field: Cross-Sector Creative Placemaking Series

Video from the GIA 2021 Conference are now available for streaming.

The Racial Equity Coding Project: Unpacking The “Why”

In this first of a three-part discussion, we are joined by Susan Feder, Adam Fong, and Maurine Knighton, as they discuss the Racial Equity Coding Project, why it was started, their experience with the earliest iterations of the coding measures, and how their reflections will inform steps forward.