GIA Blog

In his foreword for The Haas Institute’s "Notes on A Cultural Strategy" report, director john a. powell writes that "culture can move people in a way that policies cannot. People largely organize themselves and operate around stories and beliefs, not around facts."

Solange Knowles has been announced as the recipient of the Lena Horne Prize for Artists Creating Social Impact, The Root reported.

In the midst of philanthropy's self-examination and taking steps toward change, that shift is best exemplified by Ford Foundation President Darren Walker’s new book From Generosity to Justice: A New Gospel of Wealth, writes Jeff Raikes, cofounder of the Raikes Foundation, in his review of this publication.

Media companies, both legacy and new ones, "still don’t accurately reflect the reality of this country amid our shifting demographics," writes Farai Chideya, program officer in the Creativity and Expressions team at the Ford Foundation, in a recent article.

Theater artists & activists John Malpede and Henriëtte Brouwers and designer Rosten Woo are creating a project that aims to achieve “Skid Row Now & 2040,” a community-generated alternative development plan designed for and by the Skid Row neighborhood of Los Angeles.

In a recent blog post on Nonprofit AF, Vu Le reflects on how he has been seeing more signs of diverse communities "being treated like children who don’t know what’s good for them." Le writes that, even though he doesn't think that it is conscious or intentional, "it is still frustrating."

For the months of December and January, GIA’s photo banner features work supported by 4Culture.

As a multi-disciplinary public development authority, 4Culture represents a unique model of funding, tackling “culture” via a four-pronged approach: arts, heritage, preservation, and public art. Chartered by the King County Council in Washington State, the agency invests public dollars into the area’s cultural ecosystem, which is home to Seattle, that state’s largest city.

"All art is political. In tense, fractious times—like our current moment—all art is political. But even during those times when politics and the future of our country itself are not the source of constant worry and anxiety, art is still political."

Patrisse Cullors, Black Lives Matter co-founder and performance artist has created a new online MFA program, the Social and Environmental Arts Practice, that combines art, social justice, and community organizing at Prescott College in Arizona, the Los Angeles Times reported.

In "Who Are Land Acknowledgments Really For?," Lauren Wingenroth writes about land acknowledgments in the dance world.